Dubbed by the right of the party as a “suicide note”, the manifesto failed to counter the Falklands War glow that enveloped Thatcher and the Tories and the emergence of the Liberal/SDP alliance. The election result was a disaster for Labour taking it to an all time low.
Heavy metal is a genre that refuses to die – like the walking dead, it can never rest in the grave. In the early 70s, the rock scene was dominated by giants like Led Zeppelin, Deep Purple and Black Sabbath. But then along came punk and traditional rock banks looked a bit lost.
But rock was not dead. It was merely slumbering. Punk rubbed some of its aggressiveness and thrashiness off on to a new generation of rockers and so emerged the NWOBHM. Faster beats, a frenetic pace and audiences that no longer politely sat through gigs.
By 1979, punk had seriously run out of steam. There were some laughable punk-style acts that Sounds magazine tried to convince us were ‘working class’ but in reality were truly awful. I mean, how many times can you say the F-word and shock anybody? Let alone screaming ‘anarchy’. Punk was becoming a parody of itself. New Wave filled the void but didn’t capture the anger and frustration many young people felt as the country tanked into economic meltdown from 1979 to 1981.
So, along came the metal monsters. Rock had returned re-energised. Def Leppard, Motorhead, Saxon and Iron Maiden. Ozzy Osbourne, lead singer of Black Sabbath, resurrected with the comedic Blizzard of Ozz and the hilarious single Crazy Train. Black Sabbath replaced Ozzie with Ronnie James Dio and released Heaven and Hell.
Ian Gillan, formerly of Deep Purple, clawed his way back with his own eponymous band. Other Deep Purple ex-members re-surfacing included Richie Blackmore with a band called Rainbow and David Coverdale fronting Whitesnake. All these bands popped up in the late 70s coming to prominence at the end of the decade.
So you had new faces and new bands plus the old guard in different guises. AC/DC topped the charts with their album Back in Black while Canada’s Rush brought out Permanent Waves and toured the UK in 1980. Rush were a sort of prog rock band with rock sensibilities.
After 1976, I never thought I’d grow my hair long again but somehow I succumbed for about a year to NWOBHM. Then I lost my virginity and recovered my senses and scuttled as fast as I could away from it.
But for that year, there was a denim jacket adorned with Rush patches and badges. And I will confess to a continuing soft spot for Rush and Motorhead – who both put on amazing gigs back in the day.
In 1980, the Reading Festival was nicknamed the Can Festival – because of the amount of tinnies that hit the stage and spectators. Some were stamped on and thrown like frisbees. These were often violent times at all kinds of gigs. There was a crackle in the air and a lot of discontent. This would all boil over in riots during the summer of 1981. One interesting band at Reading was Girl – a rather camp metal combo with more than a hint of the New York Dolls about them.
NWOBHM was one safety valve for pissed off teenagers to head bang and play air guitars. DJ Tommy Vance on Radio 1 was one of the few outlets that would play the music. Top of the Pops, needless to say, was too busy with Shakatak to notice. After 1981, it all went very mainstream and most of us moved on a little embarrassed to admit we had indulged NWOBHM.
We’ve got used to today’s crisis in the Middle East – the Syrian horror, Daesh, Al Qaeda and the drift away from democracy in Turkey. Well, in the early 80s it was all about the recent revolution in Iran and the Soviet invasion of Afghanistan. Both questions divided the left. The events of those times have rumbled through to our own time.
Iran had overthrown the Shah, a royal dictator, in 1979. The revolution had started as an urban workers movement but was hijacked by an exiled theocrat called Ayatollah Khomeini. He returned from Paris to Teheran and imposed an Islamic state to the horror of secularists and left wingers in Iran. The country has been ruled by this theocracy ever since.
In the early 80s, the left highlighted the crushing of workers’ rights by the mullahs and the use of capital punishment. Nothing much changes eh?
Seems a rather strange idea now but back in 1984 during the miners’ strike, we were told to fire up as many electrical appliances as possible between 6pm and 6.30pm to crash the national grid. The intention was to force a peak in consumption that would make the CEGB (Central Electricity Generating Board) burn more coal. This would reduce the stocks built up by the government to try and beat the strike. And so victory for the strikers would be hastened.
Well, that was the intention. In truth, I can’t remember anybody going for this ruse. If you did do tell me. Here was the postcard distributed at the time with instructions on what to do.
An advert from 1983 – the late Telly Savalas advertising Bacardi Rum. Best known for his starring role as the tough New York detective, Kojak. That police series was big in the 70s.
These are adverts and one competition feature from SHE magazine in December 1983 – discovered in my 80s archives. A good spread of new technology from that year. A computer inside your washing machine, a Sunday roast done in your microwave and the latest in hi-tec cameras. The camera advertised below is a Minolta. That company’s cameras were taken into space with the Apollo missions and the company partnered with Leica on its lenses. It was later merged with Konica then swallowed up by Sony.
The gap-toothed man pointing at the microwave is “comedian” Jimmy Tarbuck – not a favourite of mine hence the speech marks – and the legendary Diana Dors is the heavily airbrushed lady. She died in 1984. Once a British screen diva, she had a starring role in the Adam and the Ants video for Prince Charming.