Through the early 80s, Liverpool’s Sefton Park used to reverberate to the sound of some of the top bands from the north west. Hard to remember now but Liverpool ruled the pop waves at the time with combos like Teardrop Explodes, The Mighty Wah!, Echo and the Bunnymen, China Crisis, Flock of Seagulls, Frankie Goes to Hollywood, etc. They didn’t play this festival – think I’m right in saying. But some like Frankie did.
Here’s the festival mag for the 1985 event. It includes ads from some great nightspots of the time in Liverpool like Keith’s wine bar (we used to think that place was very posh), Jody’s (gay upstairs and futurist downstairs) and the Armadillo (a trendy eatery opposite Probe records).
1979 and 1980 were the glory years of the so-called “second wave” of ska music – first wave in Jamaica twenty plus years before and now the 2Tone wave came crashing out of Coventry. The Specials seized the charts by the scruff of the neck with a string of hits. And even WH Smith felt the vibe as the his ad from 1980 shows.
But…by the end of 1981, political pop gave way to bubblegum pop. However, fans of bands like The Specials, The Selecter and The Beat have remained fiercely loyal to the present. And it would be remiss of me not to mention that I co-authored the biography of Neville Staple, front man in The Specials, titled Original Rude Boy.
Well, for most of the time it was adulation in the 70s and 80s but Bowie wasn’t immune to criticism – particularly in the late 70s and early 80s when everything from his political views to musical relevance came under post-punk scrutiny.
Below is a flattering front page from the US new wave magazine Trouser Press but underneath is a more unpleasant tone from a UK teen mag. Looking back though, I’m trending against the knockers – Bowie’s pop legacy, in my humble view, is unassailable.
Three magazines from my huge archive of 80s stuff – Record Mirror featuring Blondie, My Guy with Steve Strange and No.1 magazine with the faces of 1983. Record Mirror was a good music mag but it never inspired the tribal loyalty that attached to the NME, Melody Maker and Sounds.
In the late 70s, it would publish painted images of pop stars, some of which I’ve framed as they were rather fetching. The mag closed down in 1991 but bizarrely, the name was bought by Giovanni di Stefano – an Italian lawyer most famous for being on Saddam Hussein’s legal defence team!
Two great versions of one song from the early 80s!